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Within the classical framework, I find it difficult to appreciate fully more recent music, beginning from Schoenberg and atonal music, through avant-garde, musique concrète and electronic music. Strange enough I have great trouble with anything discordant. In Darmstadt , Germany, there is a regular festival of modern music featuring pieces by all the famous modern composers, and I have twice been invited to give sitar recitals there. If I arrive at such a venue one day before my performance, I
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